Early Works (selection)


exhibition views

A Breath of Fresh Air Greatorex St. synagogue
A Breath of Fresh Air - mouldy room
A Breath of Fresh Air - mouldy walls
A Breath of Fresh Air - renovated room
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A Breath of Fresh Air, WheNever, Greatorex St. Synagogue, London, 1997

The Greatorex Street synagogue was no longer in use, the building had been squatted, set alight and flooded, and was in very bad repair. I completely renovated the reception room to stand as a reminder that human intentions, wishes and energies are required to maintain a particular vision of the world. When these are withdrawn, atrophy gives rise to another order of reality that pays little heed to the desires of humans.

Walls have ears entrance
Walls have ears masks
Walls have ears room interior
Walls have ears Russian pamphlet detail
Walls have ears - shopping
Walls have ears - afternoon tea
Walls have ears - going out
Walls have ears - sleeping
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Walls have Ears, Forgotten Present International Visual Arts Symposium, Vilnius, 1996

I made 5 masks following instructions from a Russian leaflet (printed the year I was born), found in an abandoned embassy on how to protect oneself in the event of nuclear fallout. I constructed an imaginary life for a woman who might have lived in this building and who may have carried out similar activities to me, an English woman: shopping, cooking, afternoon tea, going out and sleeping. I photographed myself in these rooms carrying out these activities. The masks were hung in the entrance and the 5 series of photographs were applied directly to the walls of the rooms.
Reactions to the work were sharply divided; those who had left Lithuania during WWII, or their descendants who wished to return, found the images disturbing, suffocating, whilst those who had always lived in Vilnius found them humorous – a humour rooted in anxiety?


Object of Desire hanging room distorted acetate wire hair

Object of Desire, Gasworks Gallery, London, 1995

The surface as a barrier and the desire to permeate this barrier, in this instance unfulfilled, was the concept of Object of Desire. Layers of acetate, distorted by heat and trapping strands of hair, are wired together to form an enticing space that the viewer is barred from entering. The whole seductively gleams in projected light. Desire is frustrated. The viewer can only stand outside in reflections, projections, glimmers and shadows.

The Swaffham Collection installation in Swaffham Town Hall
The Swaffham Collection (detail 3) plastic bags found and donated objects
The Swaffham Collection (detail2) plastic bags found and donated objects
The Swaffham Collection (detail) plastic bags found and donated objects
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The Swaffham Collection, Swaffham Town Hall, 1995

The Swaffham Collection was constructed from favourite, ‘precious’ items loaned or donated by the inhabitants of Swaffham, a town in Norfolk. These small ‘objects of desire’ were suspended in plastic bags in the windows of the Assembly Rooms, a central meeting place in the town.
They formed a filter through which one looked into or out of this place of collective activity.


Back Row Bingo invite - Heather Allen
Here's looking at you exhibition view
Here's looking at you 15-monitor video installation
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Here’s Looking at You, Back Row Bingo, former Regal Cinema, Norwich

Here’s looking at you – video installation in a disused cinema in Norwich on the stage where films were previously projected. Each monitor showed a 5-minute silent loop of members of a film audience. Here, the audience occupies the space of projection as both object and subject.


Split laser installation

Split, King’s Lynn Arts Centre, 1995

Installation in King’s Lynn Art Centre, a former storage depot. Split ‘extended’ the space of the gallery beyond its physical boundaries into an image of the internal private space where dreams and wishes exist. As viewers walked through the beams they peopled this illusory space as dark shadows, projections moving through a field of red light.


Forest Banquet leaves doilies smoked acetate
Forest Banquet detail leaves doilies smoked acetate
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Forest Banquet, Ajaloo Institute, Tallinn

Forest Banquet is a response to the many stories and myths about the Forest Brothers, men and women who served as guerrilla fighters against the
Russians at the end of the 2nd World War. The extensive forests in Estonia remain a symbol of freedom, yet for many of the Brothers it was the site of their death.
Forest Banquet combines aspects of a memorial and a picnic, and considers the mythologising of heroism, which gives what must have a primitive and brutal existence a civilising patina as it recedes into history. The forest or the Brothers – who fed whom?

sculptures and drawings